Inside Oxford: Questions for Niko Pfund

2. Do you hate Wikipedia?”

Not at all, I’m actually very fond of Wikipedia, which is not only useful to me on a daily basis but one of the most interesting exercises in information-gathering we’ve yet seen. While there are obvious and stark differences between the goals and utility of Wikipedia and traditional reference works—say, the Oxford English Dictionary—we are rapidly moving toward an online environment defined by “multiple levels of authority” (in the words of our online/reference publisher, Casper Grathwohl), in which people know to go to different sites for different kinds of information. As the population becomes increasingly technology-literate and information-literate, as search becomes increasingly sophisticated, and as Wikipedia’s growing influence brings additional challenges (with prominence come expectations…), the one-stop shopping model will likely fragment, as people will know where to go for the best and most appropriate information, or will be led there automatically.

Inside Oxford: Questions for Niko Pfund

Whenever we talk about citation formats (APA,MLA) I always tell my students that the conventions of print are relatively new and the the emerging conventions of the web, including collective authorship, undated material and the like, are much older. Pfund makes a similar point, contending that Wikipedia is simply returning to a type of authorship that created, among many other things, the Oxford English Dictionary. Imagine, the rabble wrote the OED!

Abolition

Yes, we mean real slavery. People held against their will, forced to work and paid nothing. Sometimes the slave holder ‘pays’ a few grains of rice to keep the slaves alive, or uses a bogus payment that the slave holder reclaims at the end of the month. But the end result is what slavery is today and has always been—one person controlling another and then forcing them to work.

Through Free the Slaves’ research, first published in Kevin Bales’ Disposable People, our conservative estimate is that there are 27 million people in slavery today. This means that there are more people in slavery today than at any other time in human history. Slavery has existed for thousands of years, but changes in the world’s economy and societies over the past 50 years have enabled a resurgence of slavery.

FreeTheSlaves.net

I keep thinking and hearing about the world out there, hidden for the last eight years or so by this fog of rhetoric about terrorism, a tactic disguised as a movement. Here’s an awful problem that could be solved in just a few years, as easy as going to the moon, if only we paid attention.

The Normal Neurotic: Stiffs and Stuffeds

I’m not someone who deals well with change. You would have known this by a recent fixture in my dining room: a large glass tank containing a wooden hutch, a water bottle, and rodent bedding — but no rodent. When our final gerbil, Carmella, died, I couldn’t bring myself to take her cage down and left it there for some months, imagining every morning that she was still alive and well, just a little quiet, “napping” the day away inside her cozy hutch. Not wanting to bury her in our back yard for fear the dogs would dig her up, but also not wanting to simply toss her out with the trash, I had placed her curled body in a zip-lock plastic bag and put her “temporarily” in the freezer. There she still lies in cold, stiff “sleep,” next to the Popsicles, the frozen peas, and Nibbles the guinea pig.

Elise Hempel, March 31, The Normal Neurotic

Elise is one of my favorite writers (ok, she’s my partner too) and I have been trying to get her to get her work online for years. She published a great piece here a few years ago, called “S.A.D., TV, and Me,” but since then has been silent, as far as the web goes. Of course, she’s been writing away, collecting pieces until she found the time or the format to get them published.

Now she’s started her own blog, The Normal Neurotic, and has been busily posting her backlog of columns and short essays. She’s a poet too, and there’s some chance that she’ll publish some of that work as well. I picked, “Stiffs and Stuffed,” because I love her humor when it’s most disconcertingly morbid. I think of that every time I open the refrigerator at her house.