a legacy of languages, poems, histories

We own a legacy of languages, poems, histories, and it is not one that will ever be exhausted. It is there, always.

We have a bequest of stories, tales from the old storytellers, some of whose names we know, but some not. The storytellers go back and back, to a clearing in the forest where a great fire burns, and the old shamans dance and sing, for our heritage of stories began in fire, magic, the spirit world. And that is where it is held, today.

Ask any modern storyteller, and they will say there is always a moment when they are touched with fire, with what we like to call inspiration and this goes back and back to the beginning of our race, fire, ice and the great winds that shaped us and our world.

Nobel Lecture, Dorris Lessing, December 7, 2007

I can’t overstate the influence Dorris Lessing has had on how I see the world. There were days, even weeks, at several points in my life when I was simply possessed by her language and ideas. There was the Golden Notebook, of course, but also the Four Gated City. There are the series of science fiction novels, Canopus in Argos: Archives, then the Diary of Jane Somers,and The Good Terrorist. I didn’t read half of the dozens of things she wrote, I could never keep up. She is always years ahead of all of us.

Suburbia is a Cyborg

Suburbia is a cyborg. It is a techno-industrial grid within which its human residents are trapped, conformed, dependent units in a vast, entropic feedback loop. It is also — as a whole — dependent on an inconceivably extravagant and uninterrupted inflow of materials from across the globe. Without that uninterrupted inflow, Suburbia will convulse and perish.

The process of consuming these materials creates the Suburban consequence of waste. Volcanically growing islands of landfill — so vast that there is now a global import-export industry for trash, for all that abandoned technomass; and we live in an ever more micro-toxified environment.

Cyborg: an organism that is a self-regulating integration of artificial and natural systems.

Suburbia is also a spiritual wasteland, a place where the wonder of nature is desecrated ubiquitously with corporate logos and all the artifacts of late technological society.

Middle class angst: The politics of lemmings, part 1
By Stan Goff

This is the sort of piece that, at first glance anyway, I tend not to like. The word ‘lemmings’ in the title is a red flag. Too often these critiques of suburbia are written by prosperous academics or journalists living in the gentrified inner-city and working out some Oedipal drama from their childhood. It’s easy to be angry writing away in your loft and planing another long weekend on Long Island. This is different.

First, it’s rooted in a persuasive historical argument that sees the suburbs as the White community’s social and political response to the Civil Rights Movement, starting in the 1950s and continuing on into the struggles over busing in th 1970s. I was raised in one of these suburbs– in the 1960s and 70s in Houston– and I have taught many students raised in these racial enclaves here in the Midwest and elsewhere. The descriptions ring true.

Obviously, this also resonants with my recent post on social networks, which seem to be duplicating the ‘lunchroom racism’ of the suburbs. It also helps to explain the profound ambivalence the U.S. public has towards the war. On the one hand, polls have shown again and again that Americans want the U.S. out of Iraq; on the other, there is no sign of a mass mobilization. One explanation is the suburban fear of falling out of the middle classes, due to their profound dependence on oil.

I am never quite sure that things are ever so easy to explain, but its a suggestive way to think about the material basis for the contradiction. You can add to that mix the problems caused by the collapse of the housing bubble, the erosion of real wages, and the xenophobia associated with the growth of a new minority. White flight is unlikely to be an adequate response to Hispanic immigration.

The suburbs are in a defensive posture; the War is in defense of the gated (White) community. The piece is long (part two is here) and it ends with what seems to me a futile appeal to Christianity, but it is worth reading. I don’t want to imply, by the way, that I disagree with Goff’s reading of “the ideals of the Jewish Palestinian anarchist our culture often claims to follow.” But I don’t think the Christians of the suburbs, with a few exceptions, would ever recognize him as the central figure of their creed.

Why We Fight

The Writers Guild of America strike ought to be an opportunity for unionists to educate the public about the need to get organized. This video does a great job of setting out their case while illustrating the struggles that all unions go through, particularly when it comes to concessions. It also offers an object lesson about what can be won through collective bargaining.

The WGA’s claims are reasonable, but no doubt the ‘entertainment industry’ will try to break the union. “We are not currently at the bargaining table,” Patric Verrone, President of WGA West, wrote on Wednesday, “and people want to know when we will return.” The WGA has offered a ” comprehensive package” and is now waiting to hear back from the companies. “When they indicate that they are ready to do so, we will return to the bargaining table as soon as possible,” Verrone says. You can follow their progress at the WGA West website.